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Music · Edexcel 1MU0 · Paper 3 · June 2023

Edexcel GCSE Music Paper 3 June 2023 question paper

Edexcel 1MU0 · Paper 3

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Question 1

S Schwartz: Defying Gravity (from the album of the cast recording of Wicked)

Listen to the following extract which will be played three times.

(a)
Question 1, shown as an image
Question 1, shown as an image

(1)

Answer
Mark scheme for question 1(a)
(b)

Name the instrumental playing technique heard in the strings at the start of the extract.

(1)

Answer
Mark scheme for question 1(b)
(c)

Describe two features of the harmony at the start of the extract.

(2)

Answer
Mark scheme for question 1(c)
(d)

Name the instrument which is first heard at ‘the rules of someone else’s game’.

(1)

Answer
Mark scheme for question 1(d)
(e)

Name the melodic interval in the vocal line between the words ‘and’ and ‘leap’.

(1)

Answer
Mark scheme for question 1(e)
(f)

Describe how the composer uses rhythm to generate a feeling of excitement at ‘it’s time to try defying gravity’.

(1)

Answer
Mark scheme for question 1(f)
(g)
Question 1, shown as an image
Question 1, shown as an image
Question 1, shown as an image
Question 1, shown as an image
Question 1, shown as an image

(1)

Answer
Mark scheme for question 1(g)

Question 2

J S Bach: 3rd Movement from Brandenburg Concerto No.5 in D major

Listen to the following extract which will be played three times.

(a)

Describe three features of the melody played by the flute at the start of the extract.

(3)

Answer
Mark scheme for question 2(a)
(b)

Describe the accompaniment played by the harpsichord at the start of the extract.

(2)

Answer
Mark scheme for question 2(b)
(c)

Identify two features of the texture that are characteristic of Baroque orchestral music.

(2)

Answer
Mark scheme for question 2(c)
(d)
Question 2, shown as an image
Question 2, shown as an image

(1)

Answer
Mark scheme for question 2(d)
(e)

Name the melodic device heard at the end of the extract.

(1)

Answer
Mark scheme for question 2(e)

Question 3

Esperanza Spalding: Samba Em Preludio (from the album ‘Esperanza’)

Listen to the following extract which will be played three times.

(a)
Question 3, shown as an image
Figure for question 3

(2)

Answer
Mark scheme for question 3(a)
(b)

Describe two features of the melody played by the acoustic bass guitar at the start of the extract.

(2)

Answer
Mark scheme for question 3(b)
(c)

Describe the rhythm of both instruments when the second accompanying instrument enters.

Figure for question 3

(2)

Answer
Mark scheme for question 3(c)
(d)

Identify two features which create a sad mood in this love song.

(2)

Answer
Mark scheme for question 3(d)

Question 4

L van Beethoven: 1st Movement from Piano Sonata No.8 in C minor ‘Pathétique’

Listen to the following extract which will be played three times.

(a)

This movement is in sonata form.

Name the section played in this extract.

(1)

Answer
Mark scheme for question 4(a)
(b)

Explain how the composer uses harmony to create a sense of drama at the start of the extract.

(2)

Answer
Mark scheme for question 4(b)
(c)

Describe the melody at the start of the extract.

(2)

Answer
Mark scheme for question 4(c)
(d)

Describe the rhythm when the music modulates to a major key.

(2)

Answer
Mark scheme for question 4(d)
(e)

Identify one feature of the texture that is characteristic of early Romantic keyboard music.

(1)

Answer
Mark scheme for question 4(e)

Question 5

J Williams: Main title/rebel blockade runner

(from the soundtrack to Star Wars Episode IV: A New Hope)

Listen to the following extract which will be played three times.

(a)

Name the instrument which plays the melody at the start of the extract.

(1)

Answer
Mark scheme for question 5(a)
(b)

Identify one word which describes the articulation of the opening melody. Put a

Question 5, shown as an image
Question 5, shown as an image

(1)

Answer
Mark scheme for question 5(b)
(c)

Explain how the composer establishes a sense of outer space at the start of the extract by referring to accompaniment and melody.

accompaniment

(2)

Answer
Mark scheme for question 5(c)
(d)
Figure for question 5

(1)

Answer
Mark scheme for question 5(d)
(e)

Identify the rhythm of the ostinato played by the strings and timpani in the final,

Question 5, shown as an image
Figure for question 5

(1)

Answer
Mark scheme for question 5(e)
(f)

Name the harmonic device heard at the end of the extract.

(1)

Answer
Mark scheme for question 5(f)

Question 6

Queen: Killer Queen (from the album ‘Sheer Heart Attack’)

You will hear two extracts, A and B. You will hear each of them three times in the following order: AB, AB, AB

(a)
Figure for question 6

(3)

Answer
Mark scheme for question 6(a)
(b)

Identify two similarities and two differences between the start of extract A and the start of extract B.

(4)

Answer
Mark scheme for question 6(b)
(c)
Figure for question 6 Figure for question 6

(2)

Answer
Mark scheme for question 6(c)
(d)

Describe how the backing vocals are different in extract B.

(1)

Answer
Mark scheme for question 6(d)

Question 7

Figure for question 7 Figure for question 7
(a)

melody

(5)

Answer
Mark scheme for question 7(a)
(b)

rhythm

(5)

Answer
Mark scheme for question 7(b)

Question 8

Figure for question 8
(a)

Identify the key of this extract.

(1)

Answer
Mark scheme for question 8(a)
(b)

Name the instrument playing the theme at the start of the extract.

(1)

Answer
Mark scheme for question 8(b)
(c)
(c)(i)

Describe the accompaniment to the theme in bars 1 to 34.

(2)

Answer
Mark scheme for question 8(c)(i)
(c)(ii)

Describe the accompaniment to the theme from bar 42 to the end of the extract.

(2)

Answer
Mark scheme for question 8(c)(ii)
(d)

This extract accompanies a scene from a film about wizards, witches, spells and magical animals.

Explain how the composer uses harmony to establish a magical atmosphere.

(2)

Answer
Mark scheme for question 8(d)

Question 9

You will hear extracts from Area of Study 2: Vocal Music; one familiar and one unfamiliar. In order to answer the question you should refer to the Source Booklet.

The familiar extract, Extract A: H Purcell: Music for a While

The unfamiliar extract, Extract B: Ellington and Mills: It Don’t Mean a Thing

You will hear both extracts three times in the following order: familiar unfamiliar, familiar unfamiliar, familiar unfamiliar.

These two songs are both about music. The familiar extract comes from a song written for a play whilst the unfamiliar extract comes from a popular song.

Evaluate how effectively melody, tonality and harmony are used to evoke different emotions in these songs.

The skeleton scores are provided in the Source Booklet.

You should use your knowledge of musical elements, context and language in your response.

(12)

Answer
Mark scheme for question 9

The paper as printed

1mu0-03-qp-2306v2

1mu0-03-que-20230615

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