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Music · Edexcel 1MU0 · Paper 3 · November 2020

Edexcel GCSE Music Paper 3 November 2020 question paper

Edexcel 1MU0 · Paper 3

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Question 1

Listen to the following extract which will be played three times.

(a)

Name the first percussion instrument heard.

(1)

Answer
Mark scheme for question 1(a)
(b)

Identify two technological processes used when the first voice enters.

(2)

Answer
Mark scheme for question 1(b)
(c)

Describe the melody heard at the end of the extract.

(2)

Answer
Mark scheme for question 1(c)
(d)

Identify three features of this extract which are characteristic of electronic dance music. You should refer to the following: harmony, rhythm and metre, and texture.

harmony

rhythm and metre

texture

(3)

Answer
Mark scheme for question 1(d)

Question 2

S Schwartz: Defying Gravity (from the album of the cast recording of Wicked)

Listen to the following extract which will be played three times.

(a)

Name the instrumental playing technique heard in the timpani at the start of the extract.

(1)

Answer
Mark scheme for question 2(a)
(b)
Figure for question 2

(1)

Answer
Mark scheme for question 2(b)
(c)

Name two instruments that accompany the voice at ‘ You can still be with the wizard ’.

(2)

Answer
Mark scheme for question 2(c)
(d)

At the start of the verse Elphaba sings ‘ Something has changed within me’.

Describe the melody of this phrase.

(2)

Answer
Mark scheme for question 2(d)
(e)

During the verse the composer creates a feeling of anticipation.

Give three ways he does this, referring to accompaniment, harmony and rhythm.

accompaniment

harmony

rhythm

(3)

Answer
Mark scheme for question 2(e)

Question 3

J S Bach: 3rd Movement from Brandenburg Concerto no.5 in D major

Listen to the following extract which will be played three times.

(a)(i)

Name the first solo instrument heard in this extract.

(1)

Answer
Mark scheme for question 3(a)(i)
(a)(ii)

Describe the rhythm played by this solo instrument before the entry of the next instrument.

(1)

Answer
Mark scheme for question 3(a)(ii)
(b)

Describe the melody played by the harpsichord before the ripieno enters.

(3)

Answer
Mark scheme for question 3(b)
(c)
Question 3, shown as an image
Question 3, shown as an image

(1)

Answer
Mark scheme for question 3(c)
(d)

Identify two features of the harmony which are characteristic of the Baroque period.

(2)

Answer
Mark scheme for question 3(d)

Question 4

J Williams: Main title/rebel blockade runner (from the soundtrack to Star Wars Episode IV: A New Hope)

You will hear two extracts, A and B. You will hear each of them three times in the following order: AB, AB, AB.

(a)

Identify the percussion instrument heard at the start of both extracts.

(1)

Answer
Mark scheme for question 4(a)
(b)

Identify a percussion instrument heard in extract A but not in extract B.

(1)

Answer
Mark scheme for question 4(b)
(c)

Complete the table below.

Figure for question 4

(4)

Answer
Mark scheme for question 4(c)
(d)

Extract B accompanies the start of a space battle.

Explain how the composer uses harmony and tempo to establish a battle-like atmosphere.

harmony

tempo

(2)

Answer
Mark scheme for question 4(d)

Question 5

Esperanza Spalding: Samba Em Preludio (from the album ‘Esperanza’)

Listen to the following extract which will be played three times.

(a)

Name the instrument that accompanies the voice at the start of the extract.

(1)

Answer
Mark scheme for question 5(a)
(b)

Describe the tonality at the start of the extract.

(1)

Answer
Mark scheme for question 5(b)
(c)

Describe the vocal melody from when the second instrument enters.

(3)

Answer
Mark scheme for question 5(c)
(d)
Question 5, shown as an image
Question 5, shown as an image

(1)

Answer
Mark scheme for question 5(d)
(e)

This song fuses elements of Brazilian music with elements of jazz.

Describe three features of the harmony that are characteristic of jazz.

(2)

Answer
Mark scheme for question 5(e)

Question 6

L van Beethoven: 1st Movement from Piano Sonata no.8 in C minor ‘Pathétique’

Listen to the following extract which will be played three times.

(a)

This movement is in sonata form.

Name the section played in this extract.

(1)

Answer
Mark scheme for question 6(a)
(b)
Figure for question 6

(2)

Answer
Mark scheme for question 6(b)
(c)
Figure for question 6

(3)

Answer
Mark scheme for question 6(c)
(d)

Identify the texture at the end of the extract.

(1)

Answer
Mark scheme for question 6(d)
(e)

Describe two features of the instrumental writing that are typical of early Romantic music.

(2)

Answer
Mark scheme for question 6(e)

Question 7

Musical dictation

Listen to the following melody which will be played four times.

Before the melody, you will hear the tonic chord followed by the pulse.

Complete the score below by writing in the missing:

(a)

melody

(5)

Answer
Mark scheme for question 7(a)
(b)
Figure for question 7 Figure for question 7

(5)

Answer
Mark scheme for question 7(b)

Question 8

Figure for question 8
(a)

Describe the accompaniment in the opening four bars.

(2)

Answer
Mark scheme for question 8(a)
(b)

Name the melodic device in bar 13 beat 2 to bar 16 beat 3.

(1)

Answer
Mark scheme for question 8(b)
(c)

Describe the melody in bar 17 to bar 20.

(2)

Answer
Mark scheme for question 8(c)
(d)

Identify the difference between the music of bar 17 to bar 18 and bar 21 to bar 22.

(1)

Answer
Mark scheme for question 8(d)
(e)

Identify the key and the cadence at bar 29 beat 3 to bar 30 beat 1.

Figure for question 8

(2)

Answer
Mark scheme for question 8(e)

Question 9

Killer Queen is a playful glam rock song. Hard to Say I’m Sorry is a soft rock ballad in which the singer asks for forgiveness.

Evaluate how effectively Queen and Chicago use melody, tonality and harmony to capture the different atmospheres in these two rock songs.

The skeleton scores are provided in the Source Booklet.

You should use your knowledge of musical elements, context and language in your response.

(12)

Answer
Mark scheme for question 9

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